Artist: Michael Giacchino

Bio
Michael Giacchino (pronounced juh-kee-no) (born 1967, Riverside, New Jersey) is an American soundtrack composer who has composed several multi-award winning scores for many popular movies, television series and video games. He attended the Evening Division at the Juilliard School, as well as the School of Visual Arts in New York City, where he acquired a degree in film production and a minor degree in History.
Giacchino's first major composition was for the DreamWorks video game adaptation of the 1997 movie, The Lost World: Jurassic Park. The video game was the first PlayStation (also on Sega Saturn) console title to be recorded with an original live orchestral score. Giacchino has since continued his relationship with DreamWorks, providing full orchestral scores for many of their popular videogames.
Giacchino's award-winning compositions covers the first four Medal of Honor series, (Underground, Allied Assault and Frontline, along with the original Medal of Honor).
He has also provided scores for several other World War II-related video games like Secret Weapons Over Normandy, Call of Duty and Call of Duty: Finest Hour. Additionally, Giacchino wrote the main theme for Mercenaries while composer Chris Tilton provided the rest of the underscore. Giacchino also composed themes for The Incredibles: Rise of the Underminer, and co-wrote the theme from Black with composer Chris Tilton. He also composed the score for Alias, which was based on the television series of the same name. Michael has not been composing full soundtracks for video games in the past few years, but he is now going back to his roots as he is scheduled to score the music for a brand new world war II video game: Turning Point: Fall of Liberty. In 2007, Michael returned to the Medal of Honor franchise as he has composed the music for Medal of Honor: Airborne.
Giacchino's work on the various video games led to his first work on television first working on the pilot to the Steven Spielberg produced, Semper Fi. In 2001, J.J. Abrams, producer of the television series Alias, discovered Giacchino through his work on the video games and tapped Giacchino to provide the new show's soundtrack. The soundtrack featured a mix of full orchestral pieces, often mixed with upbeat electronic music, a departure from much of his previou
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