Artist: Linkin Park
Bio
Linkin Park is an American band from Agoura Hills, California. Formed in 1996, the band rose to international fame with their debut album, Hybrid Theory, which was certified Diamond by the RIAA in 2005 and multi-platinum in several other countries. Its following studio album, Meteora, continued the band's success, topping the Billboard 200 album chart in 2003, and was followed by extensive touring and charity work around the world. In 2003, MTV2 named Linkin Park the sixth greatest band of the music video era and the third best of the new millennium behind Oasis and Coldplay.
Having adapted the nu metal and rap metal genres to a radio-friendly yet densely layered style in Hybrid Theory and Meteora, the band explored other genres in their next studio album, Minutes to Midnight, which was released in 2007. The album topped the Billboard charts and had the third best debut week of any album that year. The band has collaborated with several other artists, most notably with rapper Jay-Z in their mashup EP Collision Course, and many others included on Reanimation. The band's most recent studio album, A Thousand Suns, was released on September 8, 2010. Linkin Park has sold over 50 million albums worldwide and has won two Grammy Awards.
Current members:
Chester Bennington – vocals (since 1999)
Rob Bourdon – drums, percussion (since 1996)
Brad Delson – lead guitar (since 1996)
Dave Farrell – bass (1996–1998, 1999, since 2001)
Joe "Mr. Hahn" Hahn – turntables, programming, samples (since 1996)
Mike Shinoda – vocals, rhythm guitar, keyboard (since 1996).
Former members:
Mark Wakefield - vocals (1996–1998)
Kyle Christener - bass (1999)
Scott Koziol - bass (2000–2001).
Discography:
Studio albums:
1. Hybrid Theory (2000)
2. Meteora (2003)
3. Minutes to Midnight (2007)
4. A Thousand Suns (2010).
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Music Review: Linkin Park - A Thousand Suns - blog critics
Linkin Park — A Thousand Suns - ChartAttack (Reviews)

Don't let first single "The Catalyst" fool you — A Thousand Suns isn't a complete throwback techno record. It also isn't a concept album. But it definitely ISN'T a rap-rock album either.
While it's great to hear the band getting out of their nu-metal rut and trying new things on singles like the aforementioned track and "Wretches And Kings," A Thousand Suns ultimately suffers because it has no clear focus.
Sure, it's great that the band can experiment with anti-war statements ("Burning In The Sunrise"), then bomb the listener with beats ("Wretches And Kings"), drop a ballad ("Waiting For The End"), then go back to screaming their heads off ("Blackout").
It's certainly exciting and LP is sonically more interesting and the band sound better than they have in years. On some of the tracks, they sound outright creatively reinvigorated and are perhaps rediscovering why they got into music in the first place.
But in the end A Thousand Suns suffers enormously because it twists and turns in too many directions to truly commit to something. It feels like they're sifting through a handful of pocket change and hoping there's more quarters there are in there than pennies.
If they can arrange that spare change so that it adds up to something good, then the future Linkin Park will be one I'm way, way more interested in than the Linkin Park of the past.
Linkin Park, 'A Thousand Suns' (Machine Shop/Warner Bros.) - Spin (reviews)
Linkin Park's fourth studio album (and second collaboration with producer Rick Rubin) contains plenty of aggressively arty material that might surprise fans of the megapopular rap-rock outfit: "Wretches and Kings," for instance, chops up spoken-word sound bites in a Bomb Squad style, while "When They Come for Me" layers post-NIN dance-punk synths over a tribal drum groove. Still, the most unexpected track on the boldly conceived A Thousand Suns might be the disc's acoustic closer, "The Messenger," in which Chester Bennington flexes a tender camp-counselor croon.
WATCH: Linkin Park, "The Catalyst"
A Thousand Suns by Linkin Park - ArtistDirect
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Linkin Park - In The End
The Official Music Video for "In The End" from the album "Hybrid Theory." Directed By: Nathan Cox and Joe Hahn.










